Gilberto Esparza. Plantas autofotosintéticas
Gilberto Esparza, Plantas autofotosintéticas, 2013-2016, detail of the installation (core) Gilberto Esparza. Plantas autofotosintéticas Curators: Nuria Carton de Grammont and Véronique Leblanc May 10...
View ArticleMotion
Nadia Myre, Portrait in Motion, 2001-2002, video. Exhibition view of Motion, 2015, Galerie de l’UQAM Motion Curators: La Fabrique d'expositions, Montreal MacKenzie Art Gallery, ReginaJanuary 20 to May...
View ArticleWhat Does the Image Stand For?
Dora Budor, Those Who Can Wreck the Infinite, 2015, digital print, 180 x 270 cm, photograph in collaboration with Robert Kulisek. Courtesy of New Galerie (Paris) What Does the Image Stand For? MOMENTA...
View ArticleCarolyne Scenna. I’m Worse at What I Do Best and for This Gift I Feel Blessed
Carolyne Scenna, Papier mâché, 2017, photomontage, still from the J’aurais fait mieux slide Carolyne Scenna. I’m Worse at What I Do Best and for This Gift I Feel Blessed Graduating master's student in...
View ArticleMelanie Authier. Contrarieties & Counterpoints
Melanie Authier, Beneath the Spin Light, 2015, acrylic on canvas, 152.4 x 182.9 cm. Courtesy of Georgia Scherman Projects. Melanie Authier. Contrarieties & Counterpoints Curator: Robert Enright...
View ArticleMichelle Bui. Pool of Plenty
Michelle Bui, Happy Like Doris Day (with garlic), 2017, inkjet print on adhesive polypropylene, 244 x 152 cm. Michelle Bui. Pool of Plenty Graduating master’s student in visual and media arts (MFA),...
View ArticleMaria Hupfield. The One Who Keeps On Giving
Exhibition view, Maria Hupfield. The One Who Keeps On Giving, The Power Plant, Toronto, 2017. Courtesy of the artists and Galerie Hugues Charbonneau, Montréal. Photo: Toni Hafkenscheid Maria Hupfield....
View ArticleLeyla Majeri. Don't Blame Us If We Get Playful
Leyla Majeri, There, for a second, 2017, hand-dyed paper, plastic bag Leyla Majeri. Don't Blame Us If We Get Playful Graduating master’s student in visual and media arts (MFA), UQAM March 10 - April...
View ArticlePassage à découvert 2018
Exhibition view, Passage à découvert 2017, Galerie de l’UQAM, 2017 Passage à découvert 2018 Graduating students in visual and media arts (BFA), UQAM April 27 - May 5, 2018 Opening: Thursday, April 26,...
View ArticleEarthlings
Shary Boyle & John Kurok, Sugluk, 2016, porcelain, 20 x 46 x 30 cm. Private collection, photo: Rafael Goldchain Earthlings Curator: Shary Boyle, in collaboration with Shauna Thompson Artists:...
View ArticleAlexia Laferté-Coutu. Leurs ombres centenaires
Alexia Laferté-Coutu, Ancienne minoterie : les angles adoucis des encadrements moulures, 2018, cast glass, pigments, anthemis Alexia Laferté-Coutu. Leurs ombres centenaires Graduating master’s student...
View ArticleRefus contraire
Noémi McComber, Prise d’assaut, 2011, video, color, sound, 8 min 50 s. Photo: Helena Martin Franco. Courtesy of the artist. Refus contraire Curators - visual arts: Doriane Biot, Camille RichardCurator...
View ArticleGraham Fagen. The Slave's Lament
Exhibition view, Graham Fagen. The Slave’s Lament, Galerie de l’UQAM, 2017. Graham Fagen. The Slave's Lament Curator: Louise Déry Doris McCarthy GalleryUniversity of Toronto ScarboroughToronto,...
View ArticleYann Pocreau. Patrimoines
Yann Pocreau, Portrait d'Auriette Breton, 2016, HD Film, colour, sound, 14 min 50 sec. In collaboration with Anna Lupien. Exhibition view, Yann Pocreau. Patrimoines, Galerie de l'UQAM, 2016. Photo:...
View ArticleMotion
BGL, Rapides et dangereux, 2005, video. Exhibition view, Motion, Galerie de l’UQAM, 2016. Motion Curators: La fabrique d'expositions Confederation Centre Art GalleryConfederation Centre of the...
View ArticleUprisings
Anonymous, Untitled [Computer Center Riot, Sir George Williams University, Montréal], 1969. Courtesy of Montreal Gazette, a division de Postmedia Network Inc. Uprisings Curator: Georges Didi-Huberman...
View ArticleRefus contraire
Noémi McComber, Prise d’assaut, 2011, vidéo, couleur, son, 8 min 50 s. Prise de vue photographique : Helena Martin Franco. Avec l’aimable permission de l’artiste Refus contraire Commissaires en arts...
View ArticleTerriens
Shary Boyle & John Kurok, Sugluk, 2016, porcelaine, 20 x 46 x 30 cm. Collection particulière, photo : Rafael Goldchain Terriens Commissaire : Shary Boyle, en collaboration avec Shauna Thompson...
View ArticleGraham Fagen. The Slave's Lament
Vue de l’exposition Graham Fagen. Complainte de l’esclave, Galerie de l’UQAM, 2017. Graham Fagen. The Slave's Lament Commissaire : Louise Déry Doris McCarthy GalleryUniversity of Toronto...
View ArticleYann Pocreau. Patrimoines
Yann Pocreau, Portrait d'Auriette Breton, 2016, film HD, couleur, son, 14 min 50 s. Avec la collaboration d'Anna Lupien. Vue de l'exposition Yann Pocreau. Patrimoines, Galerie de l'UQAM, 2016. Photo :...
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