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Channel: Galerie de l'UQAM | Past
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Gilberto Esparza. Plantas autofotosintéticas

Gilberto Esparza, Plantas autofotosintéticas, 2013-2016, detail of the installation (core) Gilberto Esparza. Plantas autofotosintéticas Curators: Nuria Carton de Grammont and Véronique Leblanc May 10...

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Motion

Nadia Myre, Portrait in Motion, 2001-2002, video. Exhibition view of Motion, 2015, Galerie de l’UQAM Motion Curators: La Fabrique d'expositions, Montreal MacKenzie Art Gallery, ReginaJanuary 20 to May...

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What Does the Image Stand For?

Dora Budor, Those Who Can Wreck the Infinite, 2015, digital print, 180 x 270 cm, photograph in collaboration with Robert Kulisek. Courtesy of New Galerie (Paris) What Does the Image Stand For? MOMENTA...

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Carolyne Scenna. I’m Worse at What I Do Best and for This Gift I Feel Blessed

Carolyne Scenna, Papier mâché, 2017, photomontage, still from the J’aurais fait mieux slide Carolyne Scenna. I’m Worse at What I Do Best and for This Gift I Feel Blessed Graduating master's student in...

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Melanie Authier. Contrarieties & Counterpoints

Melanie Authier, Beneath the Spin Light, 2015, acrylic on canvas, 152.4 x 182.9 cm. Courtesy of Georgia Scherman Projects. Melanie Authier. Contrarieties & Counterpoints Curator: Robert Enright...

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Michelle Bui. Pool of Plenty

Michelle Bui, Happy Like Doris Day (with garlic), 2017, inkjet print on adhesive polypropylene, 244 x 152 cm. Michelle Bui. Pool of Plenty Graduating master’s student in visual and media arts (MFA),...

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Maria Hupfield. The One Who Keeps On Giving

Exhibition view, Maria Hupfield. The One Who Keeps On Giving, The Power Plant, Toronto, 2017. Courtesy of the artists and Galerie Hugues Charbonneau, Montréal. Photo: Toni Hafkenscheid Maria Hupfield....

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Leyla Majeri. Don't Blame Us If We Get Playful

Leyla Majeri, There, for a second, 2017, hand-dyed paper, plastic bag Leyla Majeri. Don't Blame Us If We Get Playful Graduating master’s student in visual and media arts (MFA), UQAM March 10 - April...

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Passage à découvert 2018

Exhibition view, Passage à découvert 2017, Galerie de l’UQAM, 2017 Passage à découvert 2018 Graduating students in visual and media arts (BFA), UQAM April 27 - May 5, 2018 Opening: Thursday, April 26,...

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Earthlings

Shary Boyle & John Kurok, Sugluk, 2016, porcelain, 20 x 46 x 30 cm. Private collection, photo: Rafael Goldchain Earthlings Curator: Shary Boyle, in collaboration with Shauna Thompson Artists:...

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Alexia Laferté-Coutu. Leurs ombres centenaires

Alexia Laferté-Coutu, Ancienne minoterie : les angles adoucis des encadrements moulures, 2018, cast glass, pigments, anthemis Alexia Laferté-Coutu. Leurs ombres centenaires Graduating master’s student...

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Refus contraire

Noémi McComber, Prise d’assaut, 2011, video, color, sound, 8 min 50 s. Photo: Helena Martin Franco. Courtesy of the artist. Refus contraire Curators - visual arts: Doriane Biot, Camille RichardCurator...

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Graham Fagen. The Slave's Lament

Exhibition view, Graham Fagen. The Slave’s Lament, Galerie de l’UQAM, 2017. Graham Fagen. The Slave's Lament Curator: Louise Déry Doris McCarthy GalleryUniversity of Toronto ScarboroughToronto,...

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Yann Pocreau. Patrimoines

Yann Pocreau, Portrait d'Auriette Breton, 2016, HD Film, colour, sound, 14 min 50 sec. In collaboration with Anna Lupien. Exhibition view, Yann Pocreau. Patrimoines, Galerie de l'UQAM, 2016. Photo:...

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Motion

BGL, Rapides et dangereux, 2005, video. Exhibition view, Motion, Galerie de l’UQAM, 2016. Motion Curators: La fabrique d'expositions Confederation Centre Art GalleryConfederation Centre of the...

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Uprisings

Anonymous, Untitled [Computer Center Riot, Sir George Williams University, Montréal], 1969. Courtesy of Montreal Gazette, a division de Postmedia Network Inc. Uprisings Curator: Georges Didi-Huberman...

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Refus contraire

Noémi McComber, Prise d’assaut, 2011, vidéo, couleur, son, 8 min 50 s. Prise de vue photographique : Helena Martin Franco. Avec l’aimable permission de l’artiste Refus contraire Commissaires en arts...

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Terriens

Shary Boyle & John Kurok, Sugluk, 2016, porcelaine, 20 x 46 x 30 cm. Collection particulière, photo : Rafael Goldchain Terriens Commissaire : Shary Boyle, en collaboration avec Shauna Thompson...

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Graham Fagen. The Slave's Lament

Vue de l’exposition Graham Fagen. Complainte de l’esclave, Galerie de l’UQAM, 2017. Graham Fagen. The Slave's Lament Commissaire : Louise Déry Doris McCarthy GalleryUniversity of Toronto...

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Yann Pocreau. Patrimoines

Yann Pocreau, Portrait d'Auriette Breton, 2016, film HD, couleur, son, 14 min 50 s. Avec la collaboration d'Anna Lupien. Vue de l'exposition Yann Pocreau. Patrimoines, Galerie de l'UQAM, 2016. Photo :...

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